2012 Cinematography Reel

After 3 years I finally had some time to sift through years of footage and pick out some favorite shoots to compile for a reel. Even after finalizing the edit I thought of even more footage I could have added but maybe I’l save it for next year! This was a hard process! I also realized how little editing I’ve done the past year because I’ve been shooting so much, way out of practice!

Cameras used were Canon 5D MkII, 7D, PL modified 7D, Red Epic, Sony F3 and even some GoPro shots. Lenses were all sizes but some Canon L primes, Zeiss Super Speeds and Compact Primes, Sony primes and I even think a Tokina made it in there.

Music is by M83, track is called “Reunion” Buy it here on iTunes: is.gd/O4HVQd

Big thanks to the Dave Ramsey team, Michael Costanza, Tyler Bradley and everyone at AC Inc Nashville, the Athentikos team and everyone who helped out with these shoots.

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DSLR Cameras and Documentary Filmmaking

Pick up part 2 here: http://vimeo.com/32271984

Can you use DSLR cameras for documentary films? What are the pluses and minuses? How can you best set up your rig for shooting documentary style work?

I created this video to tackle those types of questions. Please let me know if you have any questions about anything covered in the video as well as leave comments about your experience using DSLR cameras for a documentary project.

Some info covered in the video:

“Reparando” http://www.reparandomovie.com/

Mosaic Engineering: http://www.mosaicengineering.com/products/vaf-5d2.html

Missed part 1? Check it out here: http://vimeo.com/32271529

Can you use DSLR cameras for documentary films? What are the pluses and minuses? How can you best set up your rig for shooting documentary style work?

I created this video to tackle those types of questions. Please let me know if you have any questions about anything covered in the video as well as leave comments about your experience using DSLR cameras for a documentary project.

Some info covered in the video:
“Reparando” http://reparandomovie.com/
Cameras used: Canon 5D MkII
Lenses Used: All Canon glass – 24-70L 2.8, 70-200L 2.8, 50L 1.2, 135L 2.0, 200L 2.8
Support: Manfrotto CF 535 Sticks, 501HDV Head, Glidecam 4000 sled
Carrying Support: Lowepro CompuTrekker: http://products.lowepro.com/product/Rolling-CompuTrekker-Plus-AW,2023,17.htm and http://products.lowepro.com/product/CompuTrekker-Plus-AW,1925,16.htm
Apps: Simple DOF, Sun Seeker, Cinemek Storyboard, KataData, Cine ViewFinder

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SmallHD DP4 Monitor EVF First Impressions

First, please excuse the “uh’s” and moments of rambling. I had to shoot this in the very early am because of my schedule this week so I wasn’t really on my A game.

Second, this isn’t really a tutorial but more of my initial impressions of using the monitor for the first time. I want to thank Chris and Reed out at SmallHD for shipping the unit out for me to try it out on my shoot. It was definitelya pleasure to use.

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LED Lighting for Production

I’ve been using LED lights for certain types of production and get questions from time to time. So I thought this would make a great topic for a video tutorial. There’s much to talk about so it’s divided into 3 parts. Would like to hear feedback from other users out there and let me know your thoughts.

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Building Your Own Portable Data Acquisition Center (PDAC)

Here I talk about how to build your own PDAC (Portable Digital Acquisition Center). For anyone needing to aquire or dump digital footage in the field, this is one solution that has served me well.

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Technicolor-Superflat Color Profile Comparison

Here is a quick comparison video showing the new Technicolor Cinestyle color profile for the Canon 5D MkII and the popular Superflat color profile.

One thing I noticed right away, even in camera, was the lack of the orange/amber hue I’ve noticed in the Superflat profile was not present in the Technicolor profile. To me, this gave a more true color balance and made applying the grading much easier. One problem I’ve had with the Superflat was getting that yellowish/amber hue out of skin tones. So the release of the Technicolor couldn’t have come at a better time.

I used just my 5D MkII with a standard Canon 50 f1.4 lens and walked around Financial Peace Plaza which is home to the Dave Ramsey show (you’ll notice him in the background in a sample).

I’m really pleased with the wide scope of detail I capture with this profile setting from Technicolor and plan on using it exclusively when I shoot with my 5D MkII as I found this to be the best setting for capture.

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Mobile Update: BTS Camera Setup

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Quitter

This is the new promotional trailer I shot for Jon Acuff’s new book Quitter, due out in May. It was produced by the Dave Ramsey video team. Although challenging but still fun being able to shoot in different environments and piecing it all together to make it work. It was conceived, planned, shot, edited and released within a month!

We filmed with a HotRod modified 7D with PL mount, Zeiss Super Speed lenses (28mm, 35mm and 65mm), Viewfactor Contineo powered cage and SmallHd 5.6″ monitor. Edited with FCP and CC done in Color.

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Being Prepared

Filmed to be included in an upcoming dvd series for Dave Ramsey’s college curriculum. Shot with Canon’s 5D MkII and 7D. We used Canon’s 24 1.4, 35 1.4 and 50 1.2 L series lenses.

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Bear Archery 2010 60sec Spot

Marko Visual and Visual Reserve teamed up to produce the 2010 commercial spot for Bear Archery and one of their new products. The commercial airs on sporting and hunting cable networks. This is the 60 second spot version.

We used all 5D MkII cameras with the Canon 24mm 1.4f, 50mm 1.2f and 85mm 1.2f prime lenses. All shot near Nashville, TN. Special thanks to DBD Advertising.

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